Theme
22mg:

empartridge:

crush your enemies and see them driven before you(I had a bad day)

amazinggggg…

I love you.

22mg:

empartridge:

crush your enemies and see them driven before you

(I had a bad day)

amazinggggg…

I love you.

(via shyghost)

mohtz:

Chekov’s Diary

I feel great about finding and reblogging this, GREAT I TELL YOU.

blastedheath:

Patrick Caulfield (British, 1936-2005), Springtime: Face à la mer, 1974. Acrylic on canvas, 119¾ x 83¼ in.

blastedheath:

Patrick Caulfield (British, 1936-2005), Springtime: Face à la mer, 1974. Acrylic on canvas, 119¾ x 83¼ in.

(via brandoscountess)

dcjosh:

imjustlikekevinbacon:

Batman of Shanghai was the tightest shit and you will never convince me other wise

Yesyesyes

(via gothkemetic)

  • *watches a movie*
  • *sees a dog*
  • me:if something happens to that dog I sWEAR TO GOD

pauper-sainte:

musterni-illustrates:

———————

a new zine called shitty horoscopes that i’ll be premiering this year at the Toronto Queer Zine Fair, among other things! hopefully i’ll make volumes available for online purchase soon. credit where credit is due: this was inspired by the huge number of made-up horoscopes floating around tumblr lately, and angry-poems.

I have never had a horoscope fit more

(via spookypebble)

(Source: kittu-chan, via highlandvalley)

ramonvillalobos:

i stay out to late. got nothing in my brain. that’s what people say.
mm hmm.

ramonvillalobos:

i stay out to late. got nothing in my brain. that’s what people say.

mm hmm.

(via captainfuck)

blastedheath:

Peter De Francia (British, 1921–2012), Figure on a Ladder, 1953. Charcoal and graphite on paper, 55 8 x 37.9 cm.

blastedheath:

Peter De Francia (British, 1921–2012), Figure on a Ladder, 1953. Charcoal and graphite on paper, 55 8 x 37.9 cm.

red-lipstick:

Roland Topor (French Polish, 1938-1997) - La Nuit Qui Marche Au Bord Du Gouffre (Night-Walking On The Edge)    Drawings: India Ink, Colored Pencils

red-lipstick:

Roland Topor (French Polish, 1938-1997) - La Nuit Qui Marche Au Bord Du Gouffre (Night-Walking On The Edge)    Drawings: India Ink, Colored Pencils

(Source: delcampe.net)

asylum-art:

At Joshua Liner Gallery, New Works from Tiffany Bozic.

For this work, Bozic remembers a trip to Mount Lassen, California, with her husband. Recalling the experience—even though several years had passed—Bozic finally sat down to create this painting, remembering her imagination of “deep sea organisms slowly drifting up into the sky from the black current of the water.” She also notes, “I suppose the image stuck with me because it could be a metaphor for a lot of my different emotions… some light and warm, some deep and cold.” The contrasting tones and shades lend themselves to this mood, with negative dark space and dark trees emerging from the solid white snow forms. The ethereal sea shapes preside over the scene.

In an attempt to relay her consciousness’ perspective, this body of work is a rich account of Tiffany Bozic’s incredible encounters with nature. Bozic describes the source of her inspiration as a “complex and inexplicable world.” However, with Qualia, Bozic’s world is within reach and beautifully discrete.

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